As far as it could get

 

I investigate the sculptural potential (of the everyday) from a deterministic approach. Therefore I use props
from my studio. The process, in which the sculptures transform from their initial state through a series of
uncomfortable positions to a “final” state, suggests that the sculptures somehow seem to be alive.
 

It applies to random examples where a deterministic line occurs and where the singularity of the process
is important (that specific change and fall). Through the way I approach the sculptures, I question the purpose
of their logic and try to interact with them. I reconstruct elements that suggest any form of sense by trying to
explore a form of communication with the sculpture.